Class 9 · English · Chapter 3 · NCERT Class 9 English

Winds of Change Class 9 Notes

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Chapter mind map

The whole chapter at a glance: the big idea, then each branch and what sits under it.

Winds of Change

Exploring the intersection of traditional Indian crafts, literary themes of hope and sacrifice, and the artistic metaphors of nature.

  1. Heritage of the Pankha

    The evolution of hand fans from ancient bird-feather 'pankhi' to royal and religious artifacts.

    • Linguistic Roots — Derived from the Sanskrit 'pankh', meaning a bird's feather.
    • Historical Evidence — Depicted in 2nd-century CE Buddhist wall paintings at Ajanta caves and ancient sculptures.
  2. Regional Craftsmanship

    Distinctive fan styles across India using local materials like fabric, beads, and grass.

    • Rajasthan & Gujarat — Features Appliqué fabric, Zardozi gold thread, Gujarati beadwork, and Kutch leather fans.
    • Bengal & Northern States — Sola water grass and palm leaf fans in Bengal; luxury Phadh fans with zari and silk in UP.
  3. Preservation & Evolution

    The shift of the pankha from a functional necessity to a decorative craft and sustainable livelihood.

    • Modern Shift — Technological advancement has reduced personal use, turning fans into commercial craft items.
    • Cultural Identity — Workshops and exhibitions help maintain regional identities and support artisan livelihoods.
  4. Literature: The Last Leaf

    O. Henry's story of young artists Sue and Johnsy, exploring themes of hope and sacrifice.

    • The Masterpiece — Behrman paints a realistic leaf on a stormy night to save Johnsy's life, sacrificing his own.
    • Will to Live — Johnsy recovers after seeing the 'last leaf' survive the storm, regaining her hope.
  5. Poetry: Nature as Art

    Metaphorical explorations of gardening and lush landscapes in 'Canvas of Soil' and 'A Sea of Foliage'.

    • Gardener as Artist — Maya Anthony compares soil to a palette and seeds to brushstrokes of dreams.
    • Vivid Imagery — Toru Dutt describes a 'primeval Eden' with silver lotus cups and contrasting green foliage.
  6. Language & Grammar

    Mastering the Present Perfect tense and natural English word combinations.

    • Present Perfect Tense — Formed with has/have + V3; bridges past actions with current relevance (e.g., 'have adopted').
    • Fixed Expressions — Idiomatic pairs like 'thick and thin' or 'wear and tear' where word order is permanent.

Chapter notes

A comprehensive study of India's traditional hand fans (pankhas), the artistic symbolism of gardens in poetry, and the life-affirming power of art through O. Henry's 'The Last Leaf'.

The Heritage of the Pankha

The word 'pankha' or 'punkha' finds its roots in the Sanskrit word 'pankh', meaning a bird's feather, reflecting the earliest forms of hand fans.

In ancient India, small plumed fans known as 'pankhi' were widely used. Historical evidence of these fans dates back to the 2nd century CE, as seen in the Buddhist wall paintings at the Ajanta caves. Beyond paintings, representations of fans are found in ancient embroidery, sculptures, and stone carvings across the subcontinent.

Traditionally, pankhas served both religious and royal purposes. They were used in temples to fan deities and in royal courts to provide comfort to kings. These fans varied greatly in scale, ranging from delicate two-inch decorative pieces to massive fans that required a person's full arm strength to operate. Over time, they evolved from simple tools into exotic cultural goods traded across various regions.

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NCERT reference: chapter PDF page 2.

Regional Artistry: Rajasthan and Gujarat

While the use of fans was common across India, different regions developed unique styles using local materials and intricate designs.

In Rajasthan, the 'appliqué' hand fan is a notable antique style where pieces of fabric in various shapes and patterns are sewn onto another cloth using ornamental needlework. Another Rajasthani specialty is the 'zardozi' fan, which features glittering gold threadwork. For religious purposes, Rajasthanis create temple fans made of engraved brass with long handles, or cardboard 'painted hand fans' featuring images of gods.

Gujarat is renowned for its bead craft and mirror work. Gujarati fans are often pure cotton-based and embellished with mirrors. The state is also a center for 'beads hand fans', which feature colorful beadwork and silver handles. In the Kutch region, industrious women create hand-stitched leather fans decorated with wool and thread at the seams, often used as elegant wall decorations.

RegionType of FanKey Materials/Features
RajasthanAppliquéPieces of fabric in different shapes and patterns sewn onto another cloth
RajasthanZardoziGold threadwork (encrusted)
RajasthanPainted FanCardboard with images of gods
GujaratBead fanColorful beads and silver handle
Gujarat (Kutch)Leather fanHand-stitched leather with wool/thread

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How does a zardozi fan differ from an appliqué fan in Rajasthan?

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NCERT reference: chapter PDF pages 3, 4.

Craftsmanship in Bengal and Beyond

The diversity of Indian fans extends to the eastern and northern states, utilizing local flora like sola and bamboo.

Artisans in West Bengal create delicate fans from 'sola', a milky-white spongy water grass. Another common variety is the 'Tal Patar Pankha', made from palm leaves. These are lightweight and perpetually kept as an article of possession in Bengali households. In Uttar Pradesh, the 'Phadh' fans stand out for their luxury, adorned with gold and silver zari, silk, and satin frills.

Other states like Odisha and Bihar are recognized for their sturdy bamboo and large palm leaf fans, valued for their rarity and antiquity. Tribal communities also contribute to this craft, embedding grass and metal into bamboo frames. These tribal fans often feature striking geometrical patterns with white ink on red backgrounds, showcasing a distinct aesthetic identity.

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NCERT reference: chapter PDF page 4.

Winds of Change: Preservation of the Craft

With the advent of modern technology, the traditional role of the pankha has shifted from a functional necessity to a decorative craft.

In modern times, the personal use of hand fans has declined, and they are now primarily viewed as traditional craft items or decorative pieces. This shift has transformed the craft into a commercial business that provides a livelihood for many artisans. However, the culture of pankha-making faces the risk of disappearing as technology advances.

To preserve this heritage, initiatives like workshops and exhibitions are essential. Celebrating the stories and artistry behind each fan helps spread awareness. By providing a commercial platform for contemporary makers, these initiatives ensure that the craft remains a sustainable source of income while keeping the regional cultural identities alive.

Evolution of the Pankha Craft

  1. 1

    Ancient Use

    Used in royal courts and temples for functional cooling and rituals.

  2. 2

    Cultural Expansion

    Distributed via trade routes; developed distinct regional designs.

  3. 3

    Modern Shift

    Technological advent reduces personal use; becomes a decorative craft.

  4. 4

    Commercialization

    Transforms into a livelihood for artisans through exhibitions and markets.

  5. 5

    Preservation

    Workshops and celebrations help maintain the traditional essence.

The transition of the pankha from a functional tool to a symbol of cultural heritage and sustainable livelihood.

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Why is the pankha described as a 'culture' rather than just an object?

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NCERT reference: chapter PDF pages 4, 5.

The rest of this chapter

Keep reading Winds of Change, free

  1. Locked: 1. Grammar: The Present Perfect Tense
  2. Locked: 2. Literature: The Last Leaf by O. Henry
  3. Locked: 3. Poetry: Canvas of Soil and Supplemental Verse
  4. Locked: 4. Vocabulary: Collocations and Fixed Expressions

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